The Phantom of the Opera

Description

His eyes are profound to the point that you can scarcely observe the fixed students. You simply observe two major dark openings, as in a dead man’s skull. His skin, which is extended over his bones like a drumhead, isn’t white, yet a terrible yellow. His nose is so minimal worth discussing that you can’t see it side-face; and THE ABSENCE of that nose is a terrible thing TO LOOK AT. All the hair he has is three or four long dull locks on his temple and behind his ears.”

This main scene-shifter was a genuine, calm, consistent man, slow at envisioning things. His words were gotten with intrigue and astonishment; and soon there were others to state that they also had met a man in dress-garments with a demise’s head on his shoulders. Reasonable men who had wind of the story started by saying that Joseph Buquet had been the casualty of a joke played by one of his collaborators. And afterward, consistently, there came a progression of occurrences so inquisitive thus mysterious that the shrewdest individuals started to feel uncomfortable.