Book Name: Writing the Breakout Novel Workbook
Writer: Donald Maass
One-dimensional characters hold restricted interest for us because they are
restricted as people. They need the complexity that makes genuine
individuals so interesting. Inkwell-developed fiction, a multidimensional
character will keep us speculating: What is this individual going to do, say,
or think next? Moreover, we are bound to distinguish with them—that is, to
see ourselves in them. Why? Because there is a greater amount of them to
see. Eoin Colfer’s young grown-up novel Artemis Fowl was billed as a “dull
Harry Potter,” a portrayal that captivated me. I grew considerably more
intrigued when Artemis Fowl hit The New York Times success list. The tale’s
twelve-year-old protagonist, I had perused, was a criminal driving force.
How could a novel with quite a dim hero be so popular? Fatherless Artemis
Fowl, the scion of a well known Irish criminal family, is for sure
underhandedly shrewd and twisted on the wicked plot: reestablishing the
family fortunes by obtaining gold that is put aside to emancipate any pixie,
should one ever fall under the control of the Mud People; that is to
say, humans.
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